Best audio interface for logic pro8/6/2023 ![]() In reality, audio interfaces are just an “all-in-one” solution that packages up a few common audio circuits into one convenient box. An amazing feat of engineering that delivers everything you could hope for in a small-format audio interface.ĭo you use a dedicated audio interface for recording on the move? Tell us about it in the comments.14 Final Words Audio Interfaces In Professional StudiosĪ Lot of times, Larger studios don’t use audio interfaces, at least not in the same way home studios might. The innards are no less impressive, with the electronic wizardry for which RME are renowned yielding ridiculously low latencies and pristine audio quality.Īll that, in conjunction with the super deep Totalmix FX software, makes this an interface that you might well find yourself calling on in the studio as well as out and about. The Babyface Pro FS is built like the proverbial brick outhouse and looks awesome, and almost qualifies as excessive in terms of I/O, with paired XLR ins (mic/line) and outs on the back, and the side panels hosting two instrument/line in jacks, separate headphone jack and minijack outs, MIDI I/O (via a breakout cable), and ADAT In and Out. RME’s pocket-sized desktop interface is by far the most feature-rich entrant in this particular list, and that’s reflected in its hefty pricetag. In every other regard, the Apollo Solo is simply a superb audio interface, with clean and dynamically expansive preamps and converters, powerful and intuitive control/mixer software, and an eminently portable form factor. ![]() For recording away from your main studio setup, though, it’s more than enough to work up and track great guitar tones and vocals. Of course, one of the big draws here is the potential to run the company’s vast library of DSP-powered plugin effects (a decent collection of which is bundled in), including those that make use of Unison technology for peerless, ultra-responsive preamp and guitar amp emulation – although with only a single DSP chip onboard, you certainly won’t be turning your DAW into a full-on Neve console with the Solo. Connecting via Thunderbolt 3, the Solo hosts two combi mic/line inputs and two quarter-inch outs on the back, and an instrument input and headphones output round the front. Originally launched in 2018 as the Arrow, and rebranded in 2020, the Apollo Solo is UA’s smallest and most affordable interface, and – crucially – their only bus-powered one. Sounding fantastic, representing exceptional value for money with those plugins, and raising the versatility bar with its MIDI I/O and USB hubbery, the MiniFuse 2 is a compelling option for the roaming producer. Power and data are delivered over USB-C, Loopback recording is on the cards, the casing is supremely sturdy, and the bundled software is a major draw in itself, headline by four full Arturia effects: Rev PLATE-140, Delay TAPE-201, Chorus JUN-6 and PRE 1973. Of course, the MiniFuse 2 also expands on the 1 with an extra combi input, for two in total, and these are partnered with stereo main and headphone outputs. You might be wondering why we’ve opted for the second smallest member of Arturia’s MiniFuse family, rather than the even more pocketable 1-in/2-out MiniFuse 1, but the MiniFuse 2 adds MIDI DIN In and Out sockets and a USB-A port for pass-through connection of any other USB device to the host computer, which we reckon are worth the extra outlay and increase in size. ![]() Recording and playback are at up to 24-bit/192kHz, the preamps are first class, and as a rugged secondary interface for mobile work, the Scarlett Solo makes for a very solid choice, both literally and figuratively. There are a few niceties thrown in for good measure, though, most notably the ISA-emulating Air circuit, which enhances the inputs with added sheen and presence direct (zero-latency) monitoring and the Gain Halo meters around the input Gain knobs, which make setting levels a cinch. It couldn’t be any more straightforward, sporting just an XLR mic input (with +48V phantom power), an instrument/line input, stereo quarter-inch monitor outs, a headphone jack, and bus-powered USB-C connectivity. Allegedly the biggest-selling range of audio interfaces in the world, Focusrite’s budget-priced Scarlett series has become ubiquitous among ‘content creators’ and music producers alike, and the smallest of them, the Scarlett Solo 3rd Gen, is an affordable high-quality option for recording guitars and vocals on the road.
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